MAGS April: Part III

Dear all, this is the final entry to my coverage of April’s MAGS compo. For more information on the competition and the previously discussed entries, you should take a look at the first and second part of the article. This Sunday instalment takes a look at the remaining three contestants: Hard Space, Snakes of Avalon and Space Pool Alpha.

Once more, don’t forget to cast your vote! The compo is still ongoing and lasts until the 17th of May.

Hard Space

Our first entry today, Hard Space: Conquest of the Gayliks, continues on the path already taken by Shane “ProgZmax” Steven’s previous game, Limey Lizard: Waste Wizard!, only to bring the parodic aspects even more to the fore. Stevens is also responsible for the vastly, vastly different Mind’s Eye, one of my all-time favourite AGS games.

I do absolutely have to get this out of the way: Hard Space is a parody of the original Star Trek, built entirely on the solid foundation of cock-jokery. The game, set on the ISC (or is it I.S.S.?) Penetrator, “a ship crewed almost entirely by male homosexuals,” 1)http://www.bigbluecup.com/yabb/index.php?topic=40883.msg540428#msg540428 discusses the all-star entourage of Captain Jack Hardin, “the black sheep of the Interstellar Commonwealth.” 2)http://www.bigbluecup.com/yabb/index.php?topic=40883.msg540428#msg540428

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MAGS April: Part II

This is part II of our coverage of the April MAGS competition hosted at the Adventure Game Studio forums. Voting continues until the 17th of May, so you still have some time to check out the entries. The previous part of the article discussed the first four entries to the competition (AGS Footballer Tech Demo, Alphabeta, Dead Hand and Dead Pixels), and the third portion, on Hard Space, Snakes of Avalon and Space Pool Alpha, will be released shortly afterwards, so stay tuned! Today’s part, then, is dedicated to just one game:

Eternally Us

One bad hand and it’s all over. -Fiona

Broken rules aside 1)http://www.bigbluecup.com/yabb/index.php?topic=40476.msg534474#msg534474, context is everything with Ben “Ben304” Chandler and Steven “Calin Leafshade” Poulton’s entry to the compo, Eternally Us. Context-free, the game is, like Steve Ince (So Blonde) calls it, a “beautiful” 2)http://twitter.com/Steve_Ince/status/13309496796 adventure. For a MAGS entry, then, the game is not only breathtakingly complete but also a fulfilling gaming experience.

The game is also yet another extension to Chandler’s formidable repertoire – a constant stream of short, self-contained adventures – that broadly discusses the same primary motifs, vehicles and themes, in many ways tying his output down into a more coherent whole. Conversely, Poulton is best-known for his well-esteemed (though also controversial) The McCarthy Chronicles.

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MAGS April: Part I

While there are quite a few steadily recurring, deadline–based game creation compos currently in existence, like Ludum Dare, Java4K and PyWeek, one of the longest-running 1)cf. Ludum Dare November 2002, Java4K 2002 and PyWeek August 2005 – the IGF doesn’t quite count. Other examples are more than welcome! monthly competitions still ongoing is in fact the low-key Monthly Adventure Game Studio contest, or “MAGS” for short. Chris Jones’ engine has spawned a close-knit community that constantly produces periodic communal activities like the adventure series “Reality on the Norm” and a yearly award ceremony.

But why feature MAGS on this particular website, exactly? While we have obviously discussed a plethora of adventures both free and commercial before, doesn’t this begin to dig too deep into hobbyism?

First, whilst the basic idea of the compo may be deviously simple, it comes packaged with a twist every month: Each subsequent contest, as it stands, follows the creative guidelines defined by the previous winner! Such a constantly changing, personalized rule set makes for distinct competitions that always exhibit a different cross-section of genre, style and gameplay. Indeed, many participants seek to broaden their horizons also by battling the perceived limitations and constraints of the adventure-making engine itself.

April’s rule set was defined by Dualnames, who settled on the “One Room One Month” (OROM) format:

I know it may sound silly. But keep it simple, keep it plain. We’ve seen best of AGS games in the OROWs, and I’ve always wondered, if you had to have one room, what could you make more in a month. Keep it two people team MAX! Calin and Ben304 aren’t allowed to team up!

Second, for the very first time in five years, the compo saw no entries at all in March; in fact, this was the first-ever MAGS to not have an entry ever since the activity officially got its start in the June of 2001. 2)http://www.bigbluecup.com/yabb/index.php?topic=40254.msg534461#msg534461 April – the month that I have chosen to dissect here – was luckily vastly more successful, and as such raised my interest in addition to its prolific participants. What better moment to discuss the competition than to find it revitalized!

Third, the MAGS website places great emphasis on all voters playing through each and every entry before casting their vote. Therefore, after the jump, I have alphabetically taken a look at all of April’s titles, even if the inherent clashes of style, scope, direction and quality do complicate this task considerably.

Fourth, if Destructoid can report on Ludum Dare (which Nabeel has done on this website in the past), then we can definitely talk about MAGS. Off we go with part one – parts two and three of the article will be posted on the website over the following days.

Each segment has a hyperlink to a download for the entry in question; the general voting page for all entries can be found here. Voting continues until the 17th of May, so you still have some time to familiarize yourself with the entries.

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1. cf. Ludum Dare November 2002, Java4K 2002 and PyWeek August 2005 – the IGF doesn’t quite count. Other examples are more than welcome!
2. http://www.bigbluecup.com/yabb/index.php?topic=40254.msg534461#msg534461

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Versioning Guybrush Threepwood

LucasArts have been curiously posting old concept art revisions on a Facebook page dedicated to the forthcoming Monkey Island 2: Special Edition. Four scrapped versions of your favourite leading man, Guybrush Threepwood, have appeared so far:

My question is, which of these discarded Guybrushes would have been your favourite?

For a completely different type of comparison, you can check out our earlier post that juxtaposes old and new cover artwork from the game.

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Limbus

Note: This is Day 5 of “The Whispered World Week” at The Slowdown, and wraps up our coverage on the game and its creator for the time being. Big thanks for reading, and let us know what you thought in the comments section!

The Whispered World is finally out today in most of Europe. North American fans will have to wait a little longer still, as Viva Media pushes the game out the door next Monday. We hope this week’s coverage of the game has been informative and that you will all be able to enjoy the game to its fullest when you finally get your hands on it today, on Monday, or later down the road.

As we wrap up with our coverage on the game here at The Slowdown for the time being, I thought it would be pertinent to leave you all with a thought for tomorrow. Below, a piece of concept art for Marco Hüllen’s next personal hobby adventure project, Limbus:

In the promotional image above, the snake-wrapped figure on the right instantaneously recalls the influence of variations of the Hellenistic monumental sculpture, “Laocoön and His Sons.” While Marco confirmed this, he remains tight-lipped on its role and symbolism in the game’s context.

“Limbus,” then, refers to boundaries, borders and edges – all present in the image above, whether in the steepness of the cliff, the bridge, or the sea below. Additionally, since the third statue lies wounded in the back of the foreground, and each these characters are clearly in various types of torment, this all points our attention towards the Roman Catholic concept of the Limbo, which also ties in with the Roman-style architecture of the image.

Above, a series of character sketches from the game (including Aurora and Nicodemus, two of the three lead characters, and Nox). A translation of Hüllen’s official storyline for the game is as follows:

Limbus is set in a fictional future in which the world has been in chaos for many years, as people have suddenly begun to remember their past lives. As people are no longer afraid of death, they go about living their lives light-heartedly. Crimes are abound, wars raging and nothing can prevent the madness of mankind.

But then the Triplets are born. They alone can not remember their past lives, and their task will be to end the madness of the world.

The player assumes the role of the triplets Aurora, Nicodemus and Orlando, who must return to the villa of their childhood, to uncover the mystery of their lives and the entire mankind. The three are pursued by a secret sect, who eventually will have something to do with their secret.

During the story the three will have to visit crazy places like the city of the children and the city of the elderly, and meet many crazy characters, like the child Linus, who has opened a museum of his past lives, as well as creatures such as Nox, who lives in their villa.

In our interview, as inspiration for this forthcoming project, Hüllen cites Jean-Pierre Jeunet’s Amelie and the music of Yann Tiersen. At the moment,while the author admits to currently working on a demo, he is not yet very far in development, and as such not actively looking for publishers yet.

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