Indie

The Shivah: Kosher Edition Review

Martyn Zachary 5 Comments

The Shivah 01In many ways, Dave Gilbert’s adventure game The Shivah, now re-released and re-mastered under the “Kosher Edition” subtitle on Steam and on the iPad, is a game of firsts.

Released originally in 2006, it was Gilbert’s first commercial game 1)Curiously, the game was not a commercially-minded title at first; the original version was in fact a MAGS contest submission that was then reworked – much like the Kosher Edition!, and, in fact, one of the first commercial Adventure Game Studio games on the whole. It’s also where his publishing studio, Wadjet Eye Games, got kickstarted (in a time before Kickstarter). Though the developer had already released other games, for free, like The Repossesser (2001), and Bestowers of Eternity (2003), the game that later became The Blackwell Legacy, it was this game that would become his calling card.

After all, The Shivah was the first AGS game to receive any real mainstream coverage, perhaps in large part due to its mundane, real-world setting, and Gilbert’s writing chops. Some readers may still recall, for instance, Boing Boing’s early snippet of an article on the game. Imagine: This miniature mention was – by far! – the most coverage that the AGS platform had received since its inception in 1999!

And as far as firsts go, it was – quite probably – the first game with a rabbi as its lead. (more…)

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1. ↑ Curiously, the game was not a commercially-minded title at first; the original version was in fact a MAGS contest submission that was then reworked – much like the Kosher Edition!

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Inescapable Review

Martyn Zachary 2 Comments

Magnetic Realms’ Inescapable is a Metroidvania-style indie game of admirable constraint and deliberateness. Even for a one-man Amiga homage, it never overreaches in its pursuit of a specific type of gaming minimalism. In this day and age, this in turn creates a style, and atmosphere, that is much its own.

(It helps that Amiga-style platforming is seldom imitated these days. If you can still remember, Amiga games were often half-arsed ports from other platforms, with terrible palettes and clunky controls, bogged down by the constraints of the Atari ST.)

Inescapable 03The keys to understanding Inescapable’s aims are the arts of 1) imitation and 2) limitation. Here, what was once a sheer necessity (say, a hardware constraint), is now a choice, or a decision, that enhances the game’s retro aspirations. Japan-based developer-designer Matt Fielding characterizes the game as being “…inspired by a wide range of classics of the genre such as Exile, Gods, Switchblade, Flashback and even the Dizzy series.” 1)http://www.magneticrealms.com/press/sheet.php?p=inescapable#description

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Anodyne Review

Martyn Zachary 4 Comments

Anodyne, a top-down action-adventure by indie devs Sean Hogan and Jonathan Kittaka, is one that I doubt I would have touched if not for the all-new, shiny, and glittering Steam Trading Cards. (Valve are very, very shrewd.) That Anodyne’s in-game progression is also tied to gathering collectible cards in-game has quite the poignancy to it. Above all, it makes the two a perfect match, and Anodyne was unsurprisingly among the titles that received trading cards during the Trading Cards beta.

Cards or no cards, however, Anodyne does warrant a fair bit of attention on its own merits: It is an infectious, solid action game on the one hand, and a strange, befuddling and rambling one on the other. It is above all a game with the face of Janus, looking to the future and past at once, a hodgepodge of influences permeating from top to bottom, starting with the game’s uncommon visual aspect ratio of 8:9.

Its two-faced nature is surprisingly not off-putting in the least. Instead, I found it nigh-impossible to put the game aside while it remained unbeaten. Anodyne’s cleverly organized, free-form model of progression, and beautiful audiovisual aesthetic beckon the player to continue onwards and upwards until the game is decidedly done. What greater compliment, really, for a video game: Just one more level, one more card, one more bar of health, one more boss! And then: Bang! The game is done, phew, in five to seven hours of gaming (though it can be ran through in three). (more…)

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Primordia Review

Martyn Zachary 3 Comments

Primordia, Wormwood Studios’ dystopian android adventure (and Wadjet Eye Games’ latest foray into publishing,) is a treacherous game to review. It single-handedly put me off reviewing games for a long time – heck, we received our review copy at launch half a year ago, and I’ve subsequently tried my hand at it every now and then, what with it being bundled both in Indie Royale and Groupees.

This is not to say that Primordia is a bad game. Nothing of the sort. It is unquestionably filled to the brim with artistic merit, passion, and conceptual integrity. Yet it also secretes such familiarity, evokes such an extraordinarily vivid sense of déjà vu, that it is impossible for me, personally, to brush it aside and to merely treat the game as ordinary genre-aware homage.

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Resonance Review

Martyn Zachary 1 Comment

Out of all the highly esteemed indie adventure games in the Wadjet Eye Games catalogue, Vince Twelve’s Resonance had by far the longest journey from start to finish.

Though intended for commercial release from the get-go, the game was announced in low-key fashion on the Adventure Game Studio forums in 2008, and then later Kickstarted in 2009, long before the “Double Fine” explosion of 2012, back when the landscape and prospects were vastly different. By the Kickstarter campaign, however, the game had already been in the works for over 2 years!

As with their other recent offerings, in Primordia and Gemini Rue, Wadjet Eye’s Dave Gilbert swooped to XII Games‘ aid to make finishing Twelve’s project a reality. With good reason: It’s no secret, by now, that Resonance is a very good game – one of 2012’s best adventures.

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